Venepoetics

Carolina Lozada: “No one emerges unscathed from writing” The name of Carolina Lozada (Valera, 1974) has been present in the circuits of l...

Gabriel Payares: “We need more tragedy and less epic” &#160 &#160 &#160&#160 &#160 &#160&#160 &#160 &#...

Commented Citation: Miyó Vestrini “[The collectives of the 50s and 60s] were experiences full of vitality, that were never able to crystalli...

The Other Circular Ruins It’s always a discomfort to speak in generational terms: whoever does it runs the risk of raising a banner in the n...

“We wanted to be voluntarily critical” Thirty years have gone by since the appearance of the literary group Tráfico and its “Sí, manif...

Nagasaki (In the Heart) for Ednodio Quintero Man lives everything all at once, for the first time, and without preparation. As if ...

The Garden of Forking Hallways I have become a conjurer of seasons. I hold in my hands that fraction of a second. I ignore what came before ...

Elephants and Disappearances: A Novel by Luis Enrique Belmonte I began to work as an artist when I began to be an adult, when I understood t...

Deep into Writing on the Edge Just as this edition of Papel Literario was reaching its deadline, the country received the ill-fated news of...