While the Great Days Run
An ancient terror burns in things, a profound and secret
breath,
a proud and somber acid that fills the stones with big
holes,
and makes the moist apples cruel, the trees the sun
consecrated;
the rains interwoven with the long hair and its savage
perfumes, its bland and undulating music;
the robes and vain objects; the tender dolorous wood in the
tense violins
honored and submissive on the patient table, in the ill-fated
coffin,
around which the impassive and just angels gather
to collect their portion of death;
the plaster fruit and the intimate lamp where the sunset
condenses itself,
and the dresses fall like a dry foliage at the foot of the
woman undressing,
opening in quiet circles around her ankles, like a
thick pond
on which the night flames and deepens, gathering that
sumptuous body,
dragging the shadows after the crystals and the dreams after
the sleeping aspects;
so that, beside the warm room, the desolate wind moans
under the leaves of ivy.
Oh time! Oh, pale vines! Oh, sacred fatigue of living!
Oh, sterile brightness that fights in my flesh! Your pure
threads crawl along my bones,
your soft undulating foam wrapping around my vertebrae.
And thus, through the placid faces, of the invariable turning
of Summer,
through the immobile and meek furniture, of the songs
of cheerful splendor,
everything speaks to the absorbed and defenseless witness, to
the hindermost crawling shadows,
of their uncertain departure, of the hands transforming
themselves on the estival lawn.
Then my heart full of idolatry wakes up trembling, like he
who dreams that the shadow enters him and his adorable
flesh is liquified
to a slow and sweet song, populated by floating animals and
fog
and passes the tips of his fingers along his eyebrows, confirms
his lips anew and looks at his deserted knees again,
caressing around his wealth, without penetrating its secret,
while the great days run along the immutable earth.
Las cosas y el delirio (1941)
{ Enrique Molina | Argentina, 1910-1997 }
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