Difficulty
The actor destroys everything that might reflect him. Instead of the direct route he prefers the interminable detour. He lives amid delays, sharpening his capacity to lose sight of things, overlooking, staring obliquely, hiding proofs, altering facts, elaborating versions, placing his dark salt on everything.
Memorial (1977)
{ Rafael Cadenas, Obra entera, México DF: Fondo de Cultura Económica, 2000 }
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